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ManaThe body of water that separates Fiore and Bosco may have symbolic significance in and of itself. It may seem trivial to the average person, but Klaus - a young man seeking new heights in his life - may interpret it as a metaphoric passage. On one hand, every step Klaus takes towards Fiore brings him closer to not only new adventures, but also a new "soul." On the other hand, Klaus had never believed in the souls of humans or any other race. As a secular person, he avoids such ideas and only contemplates them during periods of serious philosophical reflection. A soul, according to him, is nothing more than a living consciousness that endures the burdens of existence.
In fact, it didn't take Klaus long to come to his own ontological findings about mortality. Following his unexpected near-death experience, he concluded that death is not a part of the soul. Death, as a concept, cannot coexist with Klaus's soul or consciousness on the same existential plane. They are mutually exclusive, so one must be absent for the other to persist. Such philosophical ponderings were precisely what made Klaus' transition from his prior life to a more tolerable one. That, as well as the works of numerous Earth Land philosophers, left an indelible mark on his view of the world.
When he came across the previously mentioned passage, Klaus couldn't help but let out a brief gasp of enthusiasm, almost shattering the stoic image he so enjoys portraying. As he fixated his gaze in the distance, he could make out the shapes of the buildings that would greet him on his route to Hosenka, a town he had heard of and is keen on visiting. More importantly, the familiar landscapes of Bosco that he chooses to leave behind would wish him well in his pursuit.
Redemption may be just one of many targets on his journey of self - discovery, but one thing is clear: Fiore is where redemption begins.
In fact, it didn't take Klaus long to come to his own ontological findings about mortality. Following his unexpected near-death experience, he concluded that death is not a part of the soul. Death, as a concept, cannot coexist with Klaus's soul or consciousness on the same existential plane. They are mutually exclusive, so one must be absent for the other to persist. Such philosophical ponderings were precisely what made Klaus' transition from his prior life to a more tolerable one. That, as well as the works of numerous Earth Land philosophers, left an indelible mark on his view of the world.
When he came across the previously mentioned passage, Klaus couldn't help but let out a brief gasp of enthusiasm, almost shattering the stoic image he so enjoys portraying. As he fixated his gaze in the distance, he could make out the shapes of the buildings that would greet him on his route to Hosenka, a town he had heard of and is keen on visiting. More importantly, the familiar landscapes of Bosco that he chooses to leave behind would wish him well in his pursuit.
Redemption may be just one of many targets on his journey of self - discovery, but one thing is clear: Fiore is where redemption begins.
- exit -
328/300
328/300
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